Forty-five minutes.
The definition of a space for some choreographic actions.
A circumscribed dialogue between movement and sound.
Two + two. Two musicians + two dancers.
Four people decide to share with one accord a compositional system.
The performance is there.
All the possible variables are not but exist as a feature of the improvisation.
All at once.
The matter deals with the folds of an acoustic/dynamic grammar, fixing its own free-fall syntax.
The game is played by sticking to the rules only.


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